The idea of Sumac Garden is an empathetic response to a specific contextual situation. The branches of mature trees on the lot and neighbouring properties had formed an expansive canopy over the area. But a large elm tree infected with Dutch elm disease had to be felled, and this created a clearing bathed in light. We used a simple trick to structure the space and allow it to develop its own rhythm. Sumacs love the sunlight. Irregular hedges of smooth sumac were planted along the lines of light. These green figures gather like strange creatures around the house. They define and separate all the functional areas without creating barriers or boundaries. It is a fresh interpretation of the ancient art of topiary.
As designers we have to be attentive to the subtle experiential fabric of everyday life, while being modest and frugal. In an era of overexploitation and over-consumption of the globe's resources we have to adopt new design attitudes. This forces a radical paradigm shift for designers towards a building culture of improvisation, repairing and recycling. The innocent garden remains as an exemplary and powerful medium to promote a socially, ethically and ecologically responsible culture in environmental design practice.